If I was asked to pick my most fascinating road in London, Fournier Street in Spitalfields would be near the top of my list. Ever since its houses were built in the early 18th century it has been home to artist-craft workers starting with Huguenot silk weavers and leading up to current residents Tracey Emin and Gilbert & George. I love to look up and see the garrets where looms once rattled and it’s rare that I visit and don’t encounter the Besuited Duo striding along. (On one particularly surreal day they came gliding along the pavement towards me: without breaking gait they parted to let me go between them, eyes fixed on the middle distance, then came back together and continued their unruffled trajectory once they’d passed by.)
I grab any chance to go inside these houses. I’ve visited gardens on open days and attended a handbell concert in one as part of the Spitalfields Festival. So when I heard that No 31 was opening by appointment for an art exhibition, I didn’t hesitate to book.
This inaugural show by Trevor Newton was the perfect choice to kickstart what will be a series of exhibitions, book launches and performances over coming months. Many of his works capture idiosyncratic architecture and interiors—perfectly at home crammed onto the wood-panelled walls of a house that its owner, Rodney Archer, describes part salon, part cabinet of curiosities. Other works, from Newton’s travels in the Australian outback, went rather well with the tree ferns and other exuberant greenery in the garden outside.
Many of the house’s original features have been preserved, while incomers, like the fireplace that once belonged to Oscar Wilde, lend a theatrical touch and yet only add to the Miss Havisham atmosphere. It was a delight to amble around with a glass of wine, and imagine who had lived here before Archer arrived 35 years ago.
On 1 July a new exhibition of prints and drawings launches: portraits-cum-caricature by Edward Firth. Then, on 12,15 and 17 July the house will be buzzing once again as part of the Huguenot Thread Festival, when it will host a collection of original 1850s silk velour patterns. All the shows mentioned are selling exhibitions, at advantageous prices since there is no gallerist involved. The opening of the house is a win, win, win situation—for buyer, seller and owner, who gets to share his fascinating home with an eager public for the first time. See 31 Fournier Street for full details.